![]() ![]() Trip is more committed to its narrative of self-discovery than churning out a hit, but there are a few potentials. ![]() With that, Trip exists for its own sake and on its own terms it’s a respectable undertaking, even if 90 minutes seems daunting. Aiko has completely opened herself up for this work, bravely mourning in public and exposing all the ways she tried and failed to do so in private. ![]() It’s all part of a larger multimedia project comprising an emotional short film, the album, and a forthcoming book of poetry. Where her peers often drift towards dense electronica or hip-hop to inform their sounds and give them commercial appeal, Aiko keeps this music light and ambient, a space where she’s at her best. The airiness of Aiko’s voice blends well into the spare, psychedelia-inspired productions courtesy of Dot Da Genius, Fisticuffs, and Amaire Johnson among others. Befitting its length, these are highs that last for hours on end. Trip is the culmination of it all, hazily floating over a hefty 22 tracks.Īs a concept album, Trip aims to translate the hallucinogenic highs of weed, LSD, and shrooms into sound. She turned to spiritual enlightenment, and she turned to drugs. The weight of grief threatened to buckle Jhené Aiko after she lost her brother Miyagi in 2012, but she turned to music for respite. It is the process of feeling the spectrum of human emotion all at once: unbearable sorrow combined with profound joy to have known this person, immense love coupled with blinding anger that they’re gone. Grief is unlike any other life experience. ![]()
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